{"id":29899,"date":"2024-01-18T16:12:22","date_gmt":"2024-01-18T15:12:22","guid":{"rendered":"https:\/\/verticalwavesproject.com\/cosimo\/"},"modified":"2024-03-01T12:16:55","modified_gmt":"2024-03-01T11:16:55","slug":"cosimo","status":"publish","type":"page","link":"https:\/\/verticalwavesproject.com\/en\/cosimo\/","title":{"rendered":"\u200bCOSIMO"},"content":{"rendered":"\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/div>\n\t
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\n\t\t\t\t\tVertical Waves Project<\/span>\n\t\t\t<\/h4>\n\t\t\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/div>\n\t
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\n\t\t\t\t\t With<\/span>\n\t\t\t<\/h4>\n\t\t\t

Marianna Andrigo, Michela Lorenzano, Valentina Milan, Silvia Zotto<\/p>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/div>\n\t
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\n\t\t\t\t\tRigging<\/span>\n\t\t\t<\/h4>\n\t\t\t

Aldo Aliprandi\n<\/p>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\tProduction<\/span>\n\t\t\t<\/h4>\n\t\t\t

2021<\/p>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\tDuration<\/span>\n\t\t\t<\/h4>\n\t\t\t

30 \/ 40 minutes<\/p>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\tNew start with
new groups\t<\/h2>\n\t\t\t\t\t<\/div>\n\t<\/div>\n\t<\/a>\n\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\tNew season
soon!\t<\/h2>\n\t\t\t\t\t<\/div>\n\t<\/div>\n\t<\/a>\n\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
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Cosimo, the central character in Italo Calvino’s The Baron in the Trees<\/em>, makes the bold decision to reside in trees for the rest of his life.<\/p>

Motivated by an act of courage and freedom, he observes the world with a fresh perspective, all the while maintaining his connection to earthly affections and his curiosity about humanity.<\/p>

Inspired by Cosimo’s unconventional choice, we have decided to stage the company’s new production in parks, utilizing trees as vertical surfaces for dance.<\/p>

A circus hoop is arranged as a swing, evoking Cosimo’s encounter with Viola. A bicycle allows her to traverse the park without touching the ground. The tree-woman and the half-woman half-bird creature redirect the spectator’s gaze towards the tree canopies, while the snail-woman, moving with deliberate slowness, performs a mysterious and delicate dance on the ground.<\/p>

The characters on stage converge in the trees, engaging in an energetic dance that conveys a sense of weightlessness\u2014a portrayal of height as home, comfort, and a conscious choice.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Voltaire fu molto sorpreso, fors’anche perch\u00e9 il fratello di quel fenomeno appariva persona cos\u00ec normale, e si mise a farmi domande, come: – Mais c’est pour approcher du ciel, que votre fr\u00e8re reste l\u00e0-haut? – Mio fratello sostiene – risposi – che chi vuole guardare bene la terra deve tenersi alla distanza necessaria – e il Voltaire apprezz\u00f2 molto la risposta<\/span><\/i>.<\/span><\/i><\/p>

\u00a0<\/span>Italo Calvino, <\/span>Il Barone Rampante<\/span><\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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