The principles of gravity, an independently supporting structure ascending, the delicate and precise equilibrium of flight unveil an evocative realm: four performers encounter each other in a space between dreams and reality. The interplay of opposing forces is echoed by the unrelenting rhythm of an hourglass. The exact time and location of these events remain indiscernible. It is a mesmerizing dance, an exploration of the transitional moment between dreaming and waking, an endeavor to transcend one’s earthly essence.

In Greek mythology, Aura is a nymph whose name signifies breeze—a natural element embodying movement, change, and displacement. The performance mirrors this essence, altering and shifting, inverting verticality, tilting the horizon, slowing descent, and elevating collapse.

The narrative commences with the embodiment of ‘time,’ initiating a big hourglass—a perpetual and gravitational survey of time’s passage. Through its measured descent, it delineates the body’s resilience and metamorphosis, appearing almost detached from the narrative yet consistently present.